即興切分音 Improvised Syncopation
為熱愛古典樂的屋主,在其生活的空間中置入音樂性，將音符及節奏轉化為空間的線條與色彩，以即興曲的創作手法為發想，在開放空間中，運用大面白色背景牆面，以不等距的金屬條切分線，不斷重複包圍，有如偶發的切分音伴奏和絃，帶出隨性輕鬆的空間調性。
活動家具及主牆面，以性格強烈的色塊與圖案，帶出幻想浪漫的主旋律。同時也與條狀鏡面背景材質互相交織成ㄧ首幻想即興曲，以蕭邦 <即興幻想曲> 的曲式架構為靈感,發展出對應於空間中的音樂性。
導 奏：
空間的入口（玄關隔屏），大面紫色牆與垂直水平向線條,帶出空間的迎導前奏！
Ａ段主題:
公共空間中（餐廳客廳），不等間隔距離的垂直性線條，猶如蕭邦的即興幻想曲，以左手連續琶音貫穿全曲，賦予空間速度與張力;而空間中央的紅紫色調，猶如右手不同風格的主旋律般，在四周的垂直背景線條中被襯托出來。
Ｂ段主題 :
主臥空間橫向水平線條，猶如即興曲中如歌的抒情旋律，賦予空間柔和緩慢的步調。
尾奏：
孩房空間以橫向為主，垂直向為輔的線條，猶如A段主題與B段主題的穿插互換，將孩房的活潑性格凸顯出來。
A sense of musicality is installed into the living space for the apartment owner with a love for classical music. It transforms notes and rhythm into spatial lines and colours.
Taking the basic idea of improvisation in music as a starting point, the open spaces in the background make wide use of white wall areas. Metallic stripes with irregular spaces between them syncopate the spaces and at the same time encompass them in a repeated manner. This has an effect similar to spontaneous syncopations in musical accompaniment or to the strings of musical instruments. They thus create a spatial atmosphere of calmness and lightness.
Movable furniture and the main wall with their characteristic colored areas and patterns convey the main melody of fancy romanticism.Just like the black keys of a piano keyboard, the white wall areas and the black floor as the basic plane of this space stand out. At the same time, they are interwoven and thus form a kind of “Fantasie-Impromptu”.
Inspired by the composition of Chopin’s “Fantasie-Impromptu”, musicality evolves that corresponds with space.
Prelude:
Entrance to the rooms (partition in the entrance area): an extensive purple wall and vertical and horizontal lines mark the beginning of a prelude designed to welcome the guests!
Leitmotif A:
In the public space (dining room, living room) vertical lines with irregular spaces inbetween produce an effect similar to Chopin’s “Fantasie-Impromptu”: the continuous arpeggios of the left hand run all the way through the whole piece and lend it spatial velocity and tension. By contrast, the red and purple tones of the central space have the effect of the leitmotif of the right hand. It is characterised by different kinds of styles and stands out from the surrounding vertical lines in the background.
Leitmotif B:
Horizontal lines run through the space of the main bedroom, evoking the lyrical melody of the improvisation. They give the room a soft and quiet character.
Postlude:
Horizontal lines dominate the children’s room, complemented by vertical lines. They reflect the intertwined character of leitmotifs A and B and thus give expression to the liveliness of the children’s room.
